Twice in his lifetime, Lalu Prasad Yadav has made history by taking on, and vanquishing the Bharatiya Janata Party, from its juggernaut roll. In 1990, he arrested L.K. Advani leading the so-called Rath Yatra meant to liberate the Ayodhya temple. In 2015, he has stopped the Narendra Modi-Amit Shah combine from winning in the state of Bihar. Much decried by the secular liberals, the Bharatiya Janata Party’s one year has been marred by increasing intolerance and institutionalized mediocrity — whether it be in the quality of its central ministers, its appointees to educational institutions or in administration and governance. Its threat has been magnified by its continued successes in the states even after the 2014 general elections that brought it to power at the Center.
As in 1990, when the Rath Yatra seemed to know no fear and advanced across the country as few mass movements have in recent decades, the communal onslaught was stopped not by the ‘secular left’ or the the Congress — a party that swears by secularism but has followed a policy of balanced communalism for as long as one can remember. Though they were much relieved, as they are now, the same set of secular liberals deride the caste politics, as they perceive the politics of Lalu Yadav, and Mulayam Singh Yadav or Kanshiram and Mayawati of the Bahujan Samaj Party, to be. Ironic as it is, the reason for this is not far to seek. Continue reading The Significance of being Lalu Yadav
(The background to this post is the return of literary awards by many Indian writers, to protest against the killings of some writers and increasing attacks on minorities over issues like eating beef.)
Thomas Mann’s observation that “a person lives not only his own life, but also that of his contemporaries”, applies to everyone, but perhaps even more to writers and poets because they feel and speak for us even when we are not able to put into words our deepest feelings, and sometimes are not even conscious of them until a poet or a story writer tells us.
Writers respond to what goes on around them and to the mood of the times. As thinkers, they occasionally express ideas and views that do not always find acceptance. This brings writers into conflict with the powers that be.
Mario Vargas Llosa’s novel The Discreet Hero (2015) is one of the most readable and among his more optimistic novels in recent years, though his own claim that it is his “most optimistic novel” is a bit of an overstretch. The optimism may have more to do with Llosa’s winning the Nobel Prize in 2009, for one cannot ignore that a deep pessimism is instrumental in building the plot of this novel.
In his style familiar to his avowed readers, there are two alternating stories in the novel revolving around three sets of fathers and sons, sucked into a grim vortex of blackmail, threats and intimidation. Two stories of intrigues that are as fast moving as a soap opera and keep the reader glued to the pages, follow.
While the life stories of each of the men are different in many ways, what unites them is the disappointment that their sons turn out to be. The optimism of the hard-working fathers is offset by the pessimism of their descendants. The perceived optimism is limited to that of the two businessmen fathers enriched during Peru’s neoliberal upturn in the 1990s. Continue reading The Discreet Hero by Mario Vargas Llosa: The play of dichotomies
Nek Chand‘s Rock Garden was one of the first places I went to see when I moved to Chandigarh in 1981. There were few places to see in Chandigarh — the Rose Garden and the Sukhna Lake being the other two major attractions. What made the Rock Garden stand out was the inventiveness with which everyday waste had been recycled into beautiful creations.
The middle classes at that time had not yet tasted the explosion in wealth that came in the 1990s, and as children our hobbies bore the imprint of the economic necessities that marked our lives. During summer vacations, I would try to make papier mache crafts from old newspaper and jell bits of leftover soap into a soap bar. The melted wax of the candles during Diwali would be patiently collected the next morning and melted again with a wick to create home-made candles.
Perhaps it was this economic frugality in the everyday life that subconsciously attracted us to the Rock Garden and left a deeper impression than most other landmarks in Chandigarh.
Unlike Le Corbusier, whose name we struggled to pronounce and spell, Nek Chand was a common man’s name. “Nek” means “a good natured” person and we imagined a person whose heart was full of kindness. The sculptures seemed to bear that out, too. We were awed by the presence of a local hero, a living legend. There were stories about how he moved around in the city on a bicycle. Kids claimed to have seen him in the garden, and I would not have believed them had I also not spotted him there myself.
The Nicaraguan poet Gioconda Belli’s riveting memoir The Country Under My Skin: A Memoir of Love and War gives a glimpse of the deep involvement of poets, writers and revolution in Latin America. Belli spent nearly two decades as a sandinismo, working for the overthrow of the US backed Somoza regime in Nicaragua. When revolution finally arrived, she contritely observes that “It was good to remember that political power, even when it was considered revolutionary, had been for the most part a man’s job, tailored to its needs”.
Women cadres that had fought arm in arm with men were sidelined once the Sandinistas came to power in 1979, starting with the disbanding of the women’s militia.The book delves rather long on the writer’s numerous affairs and escapades with the half a dozen or so men in her life but, in the second half of the book, meanders towards the victory of the Sandinista ‘revolution’. This successful revolution, the second one in Latin America after Cuba, is what leads her to end the book with a sense of optimism, despite the warts and subsequent failure.
I dare say, after the life I have lived, that there is nothing quixotic or romantic in wanting to change the world… My deaths, my dead, were not in vain. This is a relay race to the end of time. In the United States, in Nicaragua, I am the same Quixota who learned through life’s battles that defeat can be as much of an illusion as victory.
Among the writers who have looked at the impact political dictatorship in suppressing natural human instincts is Manuel Puig (1932-1990). One of the first post-Boom writers, he’s best known for Kiss of the Spider Woman. Llosa once said about him,
Of all the writers I have known, the one who seemed least interested in literature was Manuel Puig.
The plot of Eternal Curse on the Reader of These Pages, Manuel’s first novel in English, is seemingly straightforward. Ramirez, an Argentinian trade union-organizer and revolutionary, is tortured after the military coup in 1976. He manages to find his way to a sanatorium in the United States via a human rights organization and is provided an attendant who takes him around in his wheelchair. The novel is little more than a series of conversations, a continuous stream of dialogue between the two, as the attendant, Larry takes Ramirez around New York. Continue reading A Decade in Blogging: A Literary journey to Latin America – II
Latin American Literature is like the Amazon river, massive in its expanse and meandering across many thematic streams. The most well known of these is its association with magical realism and what has come to be called the “dictatorship novels.” But there is more to it. It has explored fantasy, the eternal theme of love as well as that of sexual suppression and, of late, the psychological life of the individual as the collective village communities give way to urban angst.
There is a lot more to Latin American literature than magical realism.