Om Puri

ardha_satya-34
Om (18 October 1950 – 6 January 2017)

We are a selfish people.

We remember others only when they die. It has nothing to do with the people who have passed on. The only reason we remember them is because a part of us dies with them.
It is no different when one reads about Om Puri’s passing on. I remember him not so much for what he was but for a purely selfish reason.

My first memory of Puri is of him being in a dilemma, switching on and off a table lamp in Ardh Satya. Of him reading Dilip Chitre’s poem, on which the film is titled, Half Truth.

In an inspired moment I wrote down the poem, translated it and then showed to a comrade who worked for the Communist Party’s Punjabi weekly newspaper. It so happened that at the same time, Santokh Singh Dhir, a well-known short story writer close to the CPI, was looking for someone to translate his poems from Punjabi into English for the Indian Express. This comrade connected the two of us, and I had my first claim to fame, as a half page supplement of the city’s Indian Express weekend edition carried the poems that I translated. I was in my teens.

My next memory is the film Aakrosh, in which he played the role of an adivasi whose tongue has been cut off. As idealist youngsters, we sympathized with him, his tongueless screech made us wrench and our blood boil. We felt like that bearded, kurta clad, jhola wielding, young man played by an actor whose name we never cared to find out- because we were him.

In those years, I grew up with Om Puri, whose pockmarked face captured the many pockmarks of our young, sometimes scared and sometimes hopeful adolescence.

As the news of his passing on sinks in, I remember him because a part of me goes with him.

It also awakens a part of me that time and age has camouflaged but never been able to kill.

A part that is alive.

Every obituary is also a celebration of what has survived.

Tum mere paas raho – Shahid Anwar

Shahid AnwarRemembering theater activist Shahid Anwar ( 20th Sep-1965- 1st March 2016)

Death is like a sudden chill. It freezes liquid life into a block of ice. Memories, conversations, email messages become hard like rock, like frozen sculptures. When this rock is the life of a person like Shahid Anwar, it will be a long time before it begins to melt.
I knew Shahid initially as the colleague of a common friend. I never saw any of his plays although he talked to me about some of them. He went on to become a friend whom I met sporadically, but we developed a deep bond over time. I lived in Gurgaon and visited him, sometimes at his Sainik Samachar office in North Block — our first meeting and conversation was on an autumn evening under the shade of the trees on North Avenue. Later I met him a number of times at his house in RK Puram and then in Vasant Vihar.

Continue reading Tum mere paas raho – Shahid Anwar