The Bad Girl by Mario Vargas Llosa

Mario Vargas Llosa’s latest novel The Bad Girl is unlike the typical Llosa. The structure is linear and he avoids the interplay with time and space that he normally brings into the novel and that is his hallmark. Perhaps because it is meant as a kind of 20th century Madame Bovary, a novel that Llosa admires much and has written a whole book on (The Perpetual Orgy.)

Llosa’s The Bad Girl, unlike Flaubert’s immortal creation, is unlikely to be counted as among the most significant of own novels- part of the reason is that despite its occasional flashes of brilliance and a most dramatic and contemporary theme, the novelist expects too much from the reader to believe in the many coincidences in the story, and there are just too many pages of dark prose.

I read it over a weekend and it was only my fawning admiration and confidence in Llosa’s previous works that kept me going (this is the 18th book by Llosa that I read, not counting 2 incomplete ones.) The prose is good in the beginning of the novel and towards the end, and while it is rather dreary in the big middle chunk, he manages to keep the determined reader engrossed in dramatic- or perhaps over dramatic- sequences leading to its ominous and disturbing end.

Not bad for a weekend read.

Review of The Bad Girl at SFGate (link via SPLALit).

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bhupinder singh

reader, mainly and an occasional blogger

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